Marengo Hotel, 126 South Marengo, Pasadena. 1929

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  Marengo Hotel, 126 South Marengo, Pasadena. 1929

  Visual Materials

  Street view of the Marengo Hotel and Cafeteria at 126 South Marengo. The Marengo Market is across the street, which is lined with parked cars.

  photCL 402 (32318)

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  Raymond Hotel, South Fair Oaks and Columbia, Pasadena. approximately 1920s?

  Visual Materials

  A panoramic view of the Hotel Raymond at South Fair Oaks and Columbia with a parking lot in the foreground. There are 18 automobiles parked in the lot in front of the hotel.

  photCL 402 (40078)

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  Shops on North Marengo, Pasadena. 1926

  Visual Materials

  Street view of small shops at numbers 19 to 35 North Marengo, the street lined with parked cars. From the left are the Marengo Coffee Shop, the Easy Housekeeping Shop, and the White Sewing Machine Company.

  photCL 402 (28488)

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  Pasadena Public Library, 285 East Walnut, Pasadena. 1929

  Visual Materials

  Street view of the Pasadena Public Library at 285 East Walnut, taken from Garfield. In the foreground, the street is lined with parked automobiles. In the background, the San Gabriel Mountains are visible.

  photCL 402 (32166)

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  Lincoln Market, 279 North Fair Oaks, Pasadena. 1929

  Visual Materials

  Street view of the Lincoln Market at 279 North Fair Oaks. The market is arranged around the central court, with areas marked for meats, bakery, and vegetables. Some automobiles are parked in the central area, but the market is otherwise empty.

  photCL 402 (32699)

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  Pasadena. Hotel Marengo. 126 South Marengo. Front view

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402