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Tony Denier’s new pantomime troupe Humpty Dumpty. : Charles Leroux, the Roman gyrast



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  • Geo. H. Adams own new Humpty Dumpty Troupe

    Geo. H. Adams own new Humpty Dumpty Troupe

    Visual Materials

    Image of three panels showing performances of a whiteface clown and an old man in short pants; the four members of the acrobatic troupe the Martinetti Family in a balancing act with one man standing on two upside down chairs while he holds up two female performers and another man stands on his head; and six vignettes of the Bernardo's jugglers doing juggling acts with knives, balancing tops, and fire sticks, including one before an Egyptian pyramid; the poster advertises the Humpty Dumpty Troupe of George Adams.

    priJLC_ENT_000446

  • Tony Denier's Alfred the great Miaco clown pantomimist and emperor of the stilts : with Humpty Dumpty newly hatched

    Tony Denier's Alfred the great Miaco clown pantomimist and emperor of the stilts : with Humpty Dumpty newly hatched

    Visual Materials

    Image of a central scene of caricatures of two male and one female performers on a miniature stage consisting of a blond boy dancing in a sailors suit, presumably Tony Denier, a blond woman dancing in a servant's outfit, presumably Amanda Tissot, and a man with a cane and top hat, presumably Jules Tissot; with head-and-shoulder portrait vignettes presumably of the Tissots and Denier at top; date sheet for a February 22, [1882], show at the Fulton Opera House in Lancaster, Pennsylvania, pasted at bottom; the poster advertises Tony Denier's Humpty Dumpty Pantomime Troupe, with the text for "Mons. and Mlle. Tissot, the Living Automatons" covered by a sheet advertising the clown Alfred Miaco.

    priJLC_ENT_002529

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    Tony Denier … Pantomimic and Novelty Stars for the Season of 1879-'80 … Tony Denier's Humpty Dumpty Pantomime Troupe and his Standard Company … City Hall …

    Visual Materials

    Date sheet for a November 4, [1879], show at an unidentified City Hall pasted at bottom

    priJLC_ENT_TBroadsides

  • Howard Athenaeum Star Specialty Co. of Boston

    Howard Athenaeum Star Specialty Co. of Boston

    Visual Materials

    Image of acrobats Leroux and Wilton swinging on bars in a gymnastic routine on a porch with trees and decorated columns in the background; head-and-shoulders portraits of Leroux (presumably Charles LeRoux) and Wilton at corners.

    priJLC_ENT_000392

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    Die Barnum & Bailey groesste schaustellung der welt : ein wahrer wirrwar der drolligsten einfalle von spassmachern in menge

    Visual Materials

    Image of whiteface male clown musicians playing various instruments and three female whiteface clowns doing a gymnastic act in a center ring under a circus tent, with additional clowns performing in the background; one clown plays a drum labeled "Barnum & Bailey."

    priJLC_ENT_000022

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    Tony Denier's Humpty Dumpty. : Mammoth double specialty company, all star artists

    Visual Materials

    The Jay T. Last Collection of Entertainment: Performing Arts Prints and Ephemera contains more than 2,600 printed items primarily advertising theatrical and musical entertainment and related performers in the United States from 1839 to the 1940s, with the majority of items dating from the 1870s to the 1890s. The collection consists of advertising and promotional materials, business records, and illustrations pertaining to a wide variety of performance genres that have been grouped broadly as music and theater (including theater, music, dance, burlesque, comedy, pantomime, and variety); minstrel (including minstrel shows, blackface entertainers, and female minstrels); and magic and miscellaneous (including magicians, motion pictures, and Wild West shows). The collection has 442 large-size items comprised mainly of lithographic theatrical and minstrel posters that were intended to advertise specific shows or performers. Small-size items in the collection number approximately 2,130 and are comprised mainly of promotional ephemera and business documents such as trade cards, programs and playbills, souvenir booklets, die-cut cards, and printed billheads and letterheads with manuscript text. The collection provides a resource for studying the history of the American theater and the evolution of advertising strategies for the performing arts in the United States in the late 19th century. As graphic materials, the items offer evidence of developing techniques and trends in printmaking, and of the artists, engravers, lithographers, printers, and publishers involved in the creation of these prints.

    priJLC_ENT_000355