Photographs of Taos artists and miscellaneous Western photographs, (bulk 1920s-1930s)

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  Taos Artist's studios, ca. 1912

  Visual Materials

  This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.

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  Esther Mullowney Wood illustrated manuscript for "Penny Paths to Taos,"

  Manuscripts

  An account of traveling overland by car and trailer to Taos, New Mexico, by four women in 1939 (Esther, Mary Ellen, Bev, and Pat). They left Philadelphia mid-July and the journalistic account continues until their departure from Taos on August 30. Their trailer (named "Tuck") was "6' x 12' built of plywood and covered with duck canvas." Quite a bit of the account in Taos relates their experiences with Taos artists Dorothy Brett, Bert Geer Phillips, and Red Dancer (Juan Mirabal).This draft was submitted to Coronet Magazine in 1940, but was not published. The illustrations, done by Mahan, include drawings of the women's car and trailer, Pike's Peak, interior scenes, Taos Plaza, women in Taos, the pueblos and ranches.

  mssHM 82518

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  Asian American artists

  Manuscripts

  Oversize clippings related to Asian American artists and architects, and a scrapbook of clippings, catalogs, and other documents related to the Foundation of Western Art.  

  mssLeong

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  John Concha and wife, and Grace Nicholson, Taos, ca. 1920s

  Visual Materials

  This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.

  photCL 56

• Image not available

  Taos Fiesta, 1908, Saint Geronimo Festival. 8x10" photograph

  Visual Materials

  This collection contains approximately 10,000 photographs, negatives and ephemera created or compiled by Grace Nicholson (1877-1948), a collector and dealer of Native American and Asian arts and crafts in Pasadena, California. The bulk of the collection dates from 1903 to the 1920s and includes photograph albums and individual photographs with views of Native Americans of the Northwest Coast, California, and the Southwest of North America; pictures documenting Nicholson's basket collecting trips primarily between 1902 and 1912; images of Nicholson's stores and residences in Pasadena, including the building of the "Grace Nicholson Treasure House of Oriental Art" in the mid-1920s; and personal photographs of Nicholson, her family, friends, and associates. Nicholson's personal snapshots and photograph albums provide a valuable resource for studying Native American communities, particularly in Northern California, in the early 20th century. Many of the photographs depict daily life and include images of homes, community events, dances and rituals, families and children, and portraits. Most of these photographs were taken by Grace Nicholson or her assistant, Mr. Carroll S. Hartman, and are often accompanied by Nicholson's handwritten identifications.

  photCL 56

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  Western Journey photograph album and travel narrative

  Visual Materials

  A volume of photographs accompanied by a typescript travel narrative by Thomas Recknagel, a Cornell University undergraduate, documenting his travels by automobile and railroad in the summer of 1938. The bound volume is titled "Western Journey" and begins with snapshots taken during a train trip from Ithaca, New York, through Chicago, to San Francisco, where Recknagel met his parents and family friends to travel by car. They headed north through Oregon to British Columbia, where their trip included a cricket match in Vancouver; Victoria; a boat trip around the Gulf Islands; and a visit to the University of British Columbia, where Arthur Recknagel had taken a visiting lecturer position. The group took a return train trip through the Rocky Mountains, the Great Lakes, and across Canada to Port McNicoll, Ontario. There are two appendices of photographs from Recknagel's parents' trip in the beginning of the year, with several snapshots of Yosemite. The back of the volume also has 20 commercial photographs (3.5 x 5-inches) of Vancouver and the Fraser River area in British Columbia. Notable in the album are a series of photographs and narrative of the rescue of a man who had attempted suicide by jumping into the sea in San Francisco.

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